The Wisconsin Center for Film and Theater Research (WCFTR) is one of the world’s major archives of research materials relating to the entertainment industry. It maintains over three hundred collections from outstanding playwrights, television and motion picture writers, producers, actors, designers, directors, and production companies. Materials preserved include: historical records and personal papers, twenty thousand motion pictures, television shows, and videotapes; two million still photographs and promotional graphics; and several thousand sound recordings. It is richest in records of the American film industry between 1930 and 1960, American popular theater in the 1940s and 1950s, and American television from the 1940s to the 1970s.
One of the most important gateways into understanding American culture is the original records of its creators, particularly in the field of drama and audiovisual media. Each year, hundreds of scholars from around the world, as well as creative artists and the interested public, consult our archives and produce important works that draw on the information and visual materials contained in our collections. Our staff can assist researchers looking for materials.
The WCFTR actively collects the papers and audiovisual materials of individual producers, directors, writers, actors, and other key personnel in the production of U.S. audio/visual/state culture.
Collecting areas we are most interested in developing:
- Film and television production records
- Independent producers, directors, and writers
- Collections with social action significance
- Innovators in the media field
Housed in the Wisconsin Historical Society’s Library-Archives Division, the WCFTR is one of the world’s most accessible archives and is regularly visited by researchers from around the world. Research undertaken in its collections has revolutionized the scholarship of American cinema, theater, and television.
The WCFTR is a participating member of FIAF, the International Federation of Film Archives, enabling us to borrow filmed material from major archives for UW Cinematheque screenings. The WCFTR, in turn, loans its prints for screenings at events organized or sponsored by other FIAF member archives. Both the UW Cinematheque and Communication Arts Department offer important outreach activities that draw on the Center’s collections and expertise. The WCFTR also partners with the UW School of Library and Information Studies to provide training opportunities for enrolled students in the Archives and Records Management for a Digital Age program.
For internship and volunteer opportunities, please contact staff.
UW Cinematheque + WCFTR
The Cinematheque represents UW-Madison academic departments and student film groups and is dedicated to showcasing the best in international cinema history and fine films which would otherwise never reach Madison screens. As the screening facility of the Wisconsin Center for Film and Theater Research (WCFTR) and a member of the International Federation of Film Archives (FIAF), the Cinematheque regularly showcases archival and other rare prints from around the world.
Upcoming Screenings
- April
- April 25UW Cinematheque - The Best of Il Cinema RitrovatoGolden Eighties | Belgium, France, Switzerland | 1986 | DCP | 96 min. | French with English subtitles Director: Chantal Akerman7:00 PM, 4070 Vilas Hall
- April 26UW Cinematheque - The Best of Il Cinema RitrovatoBlues in the Night | USA | 1941 | DCP | 88 min. Director: Anatole Litvak7:00 PM, 4070 Vilas Hall
- April 27UW Cinematheque - At the Chazen: Treasures from the WCFTRA Cinema 16 Anthology | 16mm + 35mm | 85 min.2:00 PM, Chazen Museum of Art
Recent Blog Posts
Love, Links, Archives: Sharing the Wendy Clarke Collection
Throughout the Love Tapes, Wendy invited participants into a small booth where they talked for three minutes about what love meant to them. The people who shared their views and experiences represent a wide expanse human experience; African Americans, Asian Americans, Puerto Ricans, and people of many other races and ethnicities all recorded love tapes. Members of New York City’s gay, lesbian, and transgender communities are also well-represented in Clarke’s work. The Love Tapes and much of Clarke’s work represents a model of participatory media culture that preceded the Web and the proliferation of social media; she offers a challenge to traditional cinematic canons and the narrow subset of voices which have traditionally been privileged. The WCFTR is pleased to be able to share the collection–now digitized, searchable, and richly described–with new audiences, allowing the voices within it to speak to us again.
April 10, 2025Revisiting Early Programming at Cinema 16 with Viewing Notes and An Online Playlist!
Tanya Goldman In this blog post, Tanya Goldman continues to examine materials from WCFTR’s Amos Vogel collection. Digitized materials discussed below – and many more! – are available on the Internet Archive thanks to a …
March 17, 2025Help: Afram and Black Capitalism
The Fall 2024, Volume 94 edition of The Velvet Light Trap opens with the article, “Help: Afram and Black Capitalism” by Will Hair. The essay provides a formal and historiographic unpacking of Help, a 1970 ABC television production …
February 21, 2025Reconstructing the Postwar U.S. Campus Film Society Movement with the Amos Vogel Papers
Tanya Goldman The Wisconsin Center for Film and Theater Research (WCFTR) is one of many institutions that house materials related to the great cineaste Amos Vogel (1921-2012). A man of capacious tastes and eager to …
February 17, 2025Lost & Found: Jean Béranger’s “Lafcadio” (1948)
Zachary Zahos In the course of an average day, archivists at the Wisconsin Center for Film and Theater Research handle one-of-a-kind materials, whose historical value draws researchers from across the globe. But rare is the …
February 7, 2025- See more
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